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Perispirit

As Perispirit, Ricardo Donoso and Luke Moldof craft fantastically dense compositions. Like many fans of experimental music in Boston, I have been consistenly blown away by their live sets. Recently I had the chance to discuss their work with them.
 

I've had the pleasure of seeing you guys play twice - once at the Middle East in Cambridge, MA and once at Great Scott in Allston, MA. Each time you've crafted a thick wall of sound, but within all of that, you both seem to operate with a good deal of restraint. How did you arrive at the Perispirit aesthetic, and how does it relate to your other projects / musical interests? How has the project evolved as you've continued to play together?
We both had our own musical identities prior to playing with each other. The sound is a result of the meeting of our musical similarities and the opposition of our musical differences. From playing together certain characteristics were naturally emphasized. They included longer form pieces, mixture of tonal and non-tonal elements, and attention to dynamic flow.

The sound draws from our other musical projects and influences them as well.
 

Do you see drones and extended duration as key aspects of your sound? Do you guys ever work with shorter pieces or pieces with discrete segments?
The usage of a drone seems to naturally run through much of our work. There was a conscious decision to use drones but to fuck with them by adding contrasting textures and conscious tonal elements. Duration is something we’re very conscious of; we are working on shorter pieces as well longer extended lengths.
 

As Perispirit, do you incorporate composition as well as improvisation? If so, do you find one method more prominent than the other?
Everything is composed. There’s no improvisation.
 

Ricardo - As far as I could tell from the floor, you were working with a laptop and other electronics. Are you primarily generating your own sounds? Do you also process and modify Luke's playing?
When performing live I do not modify any of Luke’s sounds. I use location recordings, contact mics and synthesizers all manipulated in real time. These elements are usually fed into the laptop which is running Abelton Live and other DSP software.
 

Luke - What was the other instrument/electro-acoustic device that you use live? How would you describe your approach to the guitar within this duo?
I use some oscillator boxes, tapes, and contact mics. I approach the guitar as any other sound source that can be processed. It can produce tones and produce noise. That being said, I guess the guitar is at the foundation of pretty much everything that I do in the group.
 

How would you compare your live set-up and process to that used while recording? (I do love the vastness of "Forced Choice Test," by the way.)
In the past the live setup and recording setup were exactly the same because all the previous recorded material was recorded live in one take. Now we’ve been using the recording process as a tool for our compositions; taking advantage of all aspects of fidelity control and the opportunities the studio presents to us with post production playing a big part.
 

Who have been some of the most interesting people with whom to share a bill (and why)?
Michael Gira would have been the most interesting person to share a bill with but that didn’t end up happening.
 

Are there other Perispirit recordings in the works?
There is another tape that is almost finished. After that, there will be a split LP with Brendan Murray.
 

What are your thoughts on the Boston experimental music scene?
One of the most thriving in the world, a very rich and exciting landscape to be a part of and one of very high standards. There is something for everyone here.
 

Any upcoming tours/shows?
We are planning on doing a small tour in the winter as well as few local New England dates before the summer is out.
 
-- Howard Martin (11 August, 2009)

reviews related to Perispirit....
Brendan Murray / Perispirit "split" Absolute essential listening... review :: by Bryon Hayes (25 August, 2010)
 

The band can be contacted through Ricardo's MySpace page.
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