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Perispirit

As Perispirit, Ricardo Donoso and Luke Moldof craft fantastically dense compositions. Like many fans of experimental music in Boston, I have been consistenly blown away by their live sets. Recently I had the chance to discuss their work with them.
 

I've had the pleasure of seeing you guys play twice - once at the Middle East in Cambridge, MA and once at Great Scott in Allston, MA. Each time you've crafted a thick wall of sound, but within all of that, you both seem to operate with a good deal of restraint. How did you arrive at the Perispirit aesthetic, and how does it relate to your other projects / musical interests? How has the project evolved as you've continued to play together?
We both had our own musical identities prior to playing with each other. The sound is a result of the meeting of our musical similarities and the opposition of our musical differences. From playing together certain characteristics were naturally emphasized. They included longer form pieces, mixture of tonal and non-tonal elements, and attention to dynamic flow.

The sound draws from our other musical projects and influences them as well.
 

Do you see drones and extended duration as key aspects of your sound? Do you guys ever work with shorter pieces or pieces with discrete segments?
The usage of a drone seems to naturally run through much of our work. There was a conscious decision to use drones but to fuck with them by adding contrasting textures and conscious tonal elements. Duration is something we’re very conscious of; we are working on shorter pieces as well longer extended lengths.
 

As Perispirit, do you incorporate composition as well as improvisation? If so, do you find one method more prominent than the other?
Everything is composed. There’s no improvisation.
 

Ricardo - As far as I could tell from the floor, you were working with a laptop and other electronics. Are you primarily generating your own sounds? Do you also process and modify Luke's playing?
When performing live I do not modify any of Luke’s sounds. I use location recordings, contact mics and synthesizers all manipulated in real time. These elements are usually fed into the laptop which is running Abelton Live and other DSP software.
 

Luke - What was the other instrument/electro-acoustic device that you use live? How would you describe your approach to the guitar within this duo?
I use some oscillator boxes, tapes, and contact mics. I approach the guitar as any other sound source that can be processed. It can produce tones and produce noise. That being said, I guess the guitar is at the foundation of pretty much everything that I do in the group.
 

How would you compare your live set-up and process to that used while recording? (I do love the vastness of "Forced Choice Test," by the way.)
In the past the live setup and recording setup were exactly the same because all the previous recorded material was recorded live in one take. Now we’ve been using the recording process as a tool for our compositions; taking advantage of all aspects of fidelity control and the opportunities the studio presents to us with post production playing a big part.
 

Who have been some of the most interesting people with whom to share a bill (and why)?
Michael Gira would have been the most interesting person to share a bill with but that didn’t end up happening.
 

Are there other Perispirit recordings in the works?
There is another tape that is almost finished. After that, there will be a split LP with Brendan Murray.
 

What are your thoughts on the Boston experimental music scene?
One of the most thriving in the world, a very rich and exciting landscape to be a part of and one of very high standards. There is something for everyone here.
 

Any upcoming tours/shows?
We are planning on doing a small tour in the winter as well as few local New England dates before the summer is out.
 
-- Howard Martin (11 August, 2009)
The band can be contacted through Ricardo's MySpace page.
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2 February, 2010
Bill Orcutt After more than ten years of silence, ex-Harry Pussy guitar player Bill Orcutt released ‘An New Way To Pay Old Debts’, an acoustic hardcore blues record that sounds heavier than all the eclectic guitar records in your collection. It was the best album of 2009... feature :: by Joeri Bruyninckx

Utech Records Utech Records is a label out of Milwaukee that puts out some of the most cutting edge releases in avant-garde music today... feature :: by Dave Miller

26 January, 2010
Usurper The first thing that makes a Usurper show such a thrilling experience is the sudden and palpable sense of self-awareness..... feature :: by Joe Luna

13 January, 2010
Year End 2009 It's hard to believe that 2009 was only ONE year .. feature :: by Brad Rose

The Long Decline #10: 2009 Alright, 2009... a total motherfucker of a year with so much happening, where to start and where to end... yeah, I don't even know. But let's take a stroll down memory lane, shall we?.. feature :: by Brad Rose

16 December, 2009
el-g This past month, while laid up with that nasty flu bug, el-g’s recently re-issued “Tout Ploie” LP arrived in my mailbox from S-S Records and found its way to the turntable... feature :: by David Perron

Kimberly Dawn Recordings Kimberly Dawn is an artist run micro label producing limited edition sound recordings primarily released on 3" CDRs... feature :: by Dave Miller

Unheard #2: Origins Recently I've started thinking about how I ended up so attracted to unconventional music. .. feature :: by Michael Tau

Young Girls Records A look at the Young Girls label... feature :: by Joeri Bruyninckx
6 October, 2009
O. S. T. Mining the fertile fields of film soundtrack music for ours and your aural pleasure... podcast :: by Jani Hellén

8 September, 2009
Pododocast Lots of stuff from V/A compilations this time around... podcast :: by Jani Hellén

11 August, 2009
basketweaves and merrows Summer is the time to swim in texture... podcast :: by Vanessa Rossetto

28 July, 2009
Summerdrool Part 3, Ephemera The Recently Reviewed, Old Classics, and Cryptic Debuts.. podcast :: by John Ganiard

23 July, 2009
Digitalis Preview 2009 A preview of forthcoming Digitalis & Digi Ltd biz.... podcast :: by Brad Rose
 
 
menu
2 February, 2010
Le Syndicat "Timespace Losses 1982/1987" Essential listening... review :: by Michael Tau

Blue Sabbath Black Fiji "Gemini" CD-r Prepare to get your face buzzed off... review :: by Jan-Arne Sohns

Head Boggle "Clavioline Demo and Living Stereo" CD-r Head Boggle rules! Get boggled!.. review :: by Michael Jantz

Black Mayonnaise "Dissipative Structure" LP Debut vinyl, killer stuff... review :: by Paul Simpson

September Collective "Always Breathing Monster" Nice stuff on Mosz... review :: by Andrew Murdock Livingston

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