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Susanna "Sonata Mix Dwarf Cosmos"


What makes Susanna Karolina Wallumr?d?s voice so unique is that it always sounds as if she was whispering in your ear. Your ear, that is, not anyone else?s. Call it intimate, if you like, or call it personal. It is, at any rate, so fragile and uncompromising that it practically hurts to listen to it.

Anyone feeling that Susanna?s releases with The Magical Orchestra (which consisted of nobody but Morten Qvenild) were over-orchestrated or all too sumptuous will be relieved to hear that on her latest Susanna performs solo. The list of contributors to ?Sonata Mix Dwarf Cosmos? is long, of course, but this is in fact the first time that Susanna plays any instruments on one of her own albums. In a Foxy Digitalis interview from about two years back Wallumr?d did ?strongly doubt? that she ever would do so. But here she is, playing piano and guitar. Still, the album is ? if anything ? even more reduced than ?List of Lights and Buoys? and ?Melody Mountain?, the cover album with the phenomenal spinet version of ACDC?s ?It?s a Long Way to the Top?.

It?s fascinating to realize how Wallumr?d has taken directions from her radical cover versions. When listening to ?Sonata Mix Dwarf cosmos?, time and again you feel reminded of ?Melody Mountain?. Small fragments of those songs spook around the new songs, radically re-contextualized. Identifying them is soothing and exciting at the same time. ?People Living? is one of the tracks on which fragments of the cover album shine through, but so is the opener ?Intruder? which uses theremin, piano and guitars to make you feel there are no instruments at all. It does, however, take quite a few listens until tracks begin to stand out. Wallumr?d has often denied her listener the elevating experience of catchy melodies. ?Better Days? is the one instantly recognizable track on this album, and it is also my favourite.

?Sonata Dwarf Mix Cosmos? is accompanied by some of the best cover photography I?ve seen in a very long time. It?s not only a stunning photograph in its own right (unfortunately the photographer isn?t mentioned on the promo cardboard sleeve), but it?s also the perfect supplement to Wallumr?d?s music.

This is a gorgeous album that I respect immensely, but to which I?m not hooked. I wish I was, though. ?Sonata Mix Dwarf Cosmos? is at once very near and utterly out of reach. This album is passionate but somehow cold, communicating all the time but not really reaching out. ?I wish you were here / I wish you were near?, Wallumr?d sings in ?Hangout?. Me too. 7/10 -- Jan-Arne Sohns (11 September, 2007)

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1 September, 2010
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5 August, 2010
Hobo Cult #1 First set of tunes from the man behind Hobo Cult/Hobo Cubes... podcast :: by Frank Ouellette

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3 July, 2010
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26 June, 2010
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1 September, 2010
Bis auf’s Messer Berlin’s Bis auf’s Messer emporium has all bases covered. From two rooms in the Eastern borough of Friedrichshain, Robert and Stefan run a store and a mailorder operation, they organize gigs, and not one, but two labels... feature :: by Jan-Arne Sohns

Neon Marshmallow Fest Recap More so than perhaps any festival on the radar, the lineup itself was truly the draw of Chicago’s inaugural Neon Marshmallow Fest, the four-day cornucopia of experimental music of all stripes.... feature :: by Travis Bird

25 August, 2010
Little Fury Things Padna’s own Nat Hawks runs a rad micro-label out of Brooklyn with an even radder name! .. feature :: by Dave Miller

Live London #13: Graham Lambkin / Call Back The Giants / Helm Show review from August 6th, 2010 at Cafe Oto in London featuring Graham Lambkin, Call Back the Giants and Helm... feature :: by Peter Taylor

18 August, 2010
Donovan Quinn Donovan Quinn has already proven himself to be one of the more gifted folk-pop songsmiths of the past decade through his work with Verdure and The Skygreen Leopards... feature :: by David Perron

11 August, 2010
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