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Preslav Literary School "Beautiful Was the Time" CD-r


Preslav Literary School is the project of Berlin based Adam Thomas. He composes music based on the use of cassette players and found analog recordings that are cut up, re-edited, manipulated, and looped back on to analog cassettes similar to the approach of Jason Zeh but heavier on found sounds and drones than cassette manipulation. The opening track from what is Thomas‘s second “studio“ album, “John the Exarch,” begins with what sounds like multi dubbed cassette noise with an ambient layer of dark keyboard tones. Soon, the cassette noise fades out to reveal the sound of birds chirping and someone, most likely, speaking German, played backwards. Half way through all sounds are reduced to just the keyboards slowly droning back and forth between notes and slowly fades out. There is a definite “ghost” quality to this music, brought out by the use of found and manipulated tapes that Thomas points out in the liner notes to come from “sounds from old recordings by others and patterns within the tape hiss.” “Beautiful Was the Time” is an interesting listen and serves as a nice short introduction to the music of Preslav Literary School. 6/10 -- Jon Lorenz (26 January, 2010)

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1 September, 2010
Various Artists "I'm Going Where The Water Drinks Like Wine" A must have compilation... review :: by Crawford Philleo

Mark McGuire "Tiding/Amethyst Waves" Recommended reissue on Weird Forest... review :: by Anthony D'Amico

Skjølbrot "Maersk" CD-r An absolute gem of a CDR... review :: by Matt Blackall

Zola Jesus "Stridulum" Another massive entry in the Zola Jesus discography... review :: by Dave Miller

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Celer All At Once Is What Eternity Is 3'' cd-r
Cornucopia Ultima LP
Dense Reduction Hobbes Diamond tape
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Adam Gnade Trailerparks
Hellcake Friends Become Enemies tape
Imbogodom The Metallic Year
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Lee Konitz, Chris Cheek, Stephan Furic Leibovici Jugendstil II
Outer Limits Recordings Foxy Baby LP
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Horacio Pollard Acorn Bath CD-r
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Sensible Nectar Minor Devil tape
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Siddhi Cuttlefish Bone CD-r
Squim No Blade of Grass CD-r
Tokyo Mask Route Painless
10 August, 2010
Early Women Composers A collection of tracks from some of the best female composers this century... podcast :: by Brad Rose

5 August, 2010
Hobo Cult #1 First set of tunes from the man behind Hobo Cult/Hobo Cubes... podcast :: by Frank Ouellette

15 July, 2010
LAFMS Podcast #1 A selection of tracks from the might Los Angeles Free Music Society.. podcast :: by Andrew Murdock Livingston

3 July, 2010
ALPHACAST A collection of songs from the mighty Colin Ward AKA Alphabets in celebration of the ALPHABOX release... podcast :: by Brad Rose

26 June, 2010
Early Electronics A collection of various electronics from the last half-century... podcast :: by Brad Rose
 
 
menu
1 September, 2010
Bis auf’s Messer Berlin’s Bis auf’s Messer emporium has all bases covered. From two rooms in the Eastern borough of Friedrichshain, Robert and Stefan run a store and a mailorder operation, they organize gigs, and not one, but two labels... feature :: by Jan-Arne Sohns

Neon Marshmallow Fest Recap More so than perhaps any festival on the radar, the lineup itself was truly the draw of Chicago’s inaugural Neon Marshmallow Fest, the four-day cornucopia of experimental music of all stripes.... feature :: by Travis Bird

25 August, 2010
Little Fury Things Padna’s own Nat Hawks runs a rad micro-label out of Brooklyn with an even radder name! .. feature :: by Dave Miller

Live London #13: Graham Lambkin / Call Back The Giants / Helm Show review from August 6th, 2010 at Cafe Oto in London featuring Graham Lambkin, Call Back the Giants and Helm... feature :: by Peter Taylor

18 August, 2010
Donovan Quinn Donovan Quinn has already proven himself to be one of the more gifted folk-pop songsmiths of the past decade through his work with Verdure and The Skygreen Leopards... feature :: by David Perron

11 August, 2010
Operative Many readers of Foxy Digitalis will be familiar with the respective work of Scott Goodwin, Spencer Doran, Alex Neerman, and Jed Bindeman... feature :: by Jordan Anderson